RADA: A BRIEF HISTORY

Over the Academy's 104 year history it has undergone many changes. From moving to its current location in 1905 to the introduction of the first stage management course, the re-opening of the re-furbished Gower/Malet Street site and the appointment of a new managing and artistic director the history of RADA has been rich and varied.

1904

Sir Herbert Beerbohm Tree, the leading actor manager of the day, famous for his spectacular Shakespeare productions, establishes an Academy of Dramatic Art at His Majesty’s Theatre in the Haymarket.

1905

The Academy moves to 62 Gower Street. Fees of six guineas a term are doubled the following year, except for the children of actors, who only pay half. A managing Council is established on which Tree is joined, among others, by Sir Johnston Forbes Robertson, Sir Arthur Wing Pinero and Sir James Barrie. Within a few years they are augmented by other major figures, including W.S. Gilbert, Irene Vanbrugh and, perhaps most significantly, George Bernard Shaw.

1909

Kenneth Barnes, brother of the Vanbrugh sisters, is appointed Principal.

1912

GBS donates the royalties from Pygmalion to RADA, allowing the Academy eventually to benefit substantially from the success of My Fair Lady. Shaw gives occasional lectures to the students, including one called ‘Elementary Economics for Actors’. Pre-First World War graduates include Athene Seyler, Robert Atkins and Cedric Hardwicke. During this period Beerbohm Tree takes some forty Academy graduates into his company at His Majesty’s.

1920

The Academy is granted its Royal Charter.

1921

A new theatre is built in Malet Street, backing on to the Gower Street premises. This is opened by the Prince of Wales.

1923

John Gielgud, who will eventually become President and first Honorary Fellow of RADA, studies for a year at the Academy, playing 17 parts, including two Hamlets.

1924

The Academy receives its first government subsidy in the form of a Treasury Grant of £500.

1927

The two Georgian houses which make up the Gower Street site are replaced with a single new building. GBS donates £5,000 towards the cost.

1931

Duchess of York opens new building.

1941

Richard Attenborough joins the Academy as a Leverhulme scholar.At the height of World War Two, the Academy’s theatre is demolished during an air-raid. Public performances shift to the City Literary Institute and students also tour shows to the troops.

1950

George Bernard Shaw dies and leaves one third of all his royalties to RADA.

1954

The new Vanbrugh Theatre is opened by Her Majesty Queen Elizabeth The Queen Mother.

1955

Sir Kenneth Barnes, knighted in 1938, retires and John Fernald is appointed Principal. The number of students is reduced and entry becomes more difficult. During the late 50s and 60s the growth of the LEA grant systems ushers in the ‘new wave’ of actors including Albert Finney, Tom Courtenay, Glenda Jackson, John Hurt, Michael Williams and Anthony Hopkins.

1962

The Stage Management course is introduced.

1964

The Vanbrugh Theatre Club is established.

1966

John Fernald resigns and Hugh Crutwell becomes Principal.

1967

Following debate concerning RADA receiving funds from the Shaw bequest, the Government withdraws its annual grant.

1970

Specialist Technical Courses are established.

1972

Richard Attenborough becomes Chairman.

1977

The ‘Tree ’ evenings, named in honour of RADA’s founder, are introduced with leading agents and casting directors invited to presentations by final year students in the Vanbrugh.

During this period another ‘new wave’ of actors emerges at the Academy. These include Jonathan Pryce, Juliet Stevenson, Alan Rickman, Anton Lesser, Kenneth Branagh and Fiona Shaw.

1984

Oliver Neville becomes Principal.

1986

The Acting Diploma Course is extended from seven to nine terms.

1989

HRH, The Princess of Wales, visits the Academy as President of Council to install her predecessor, Sir John Gielgud, as RADA’s first Honorary Fellow.

1990

The Academy invests the capital accrued from the Shaw bequest in the freehold of 18 Chenies Street, with the help of donations from the Foundation for Sport and the Arts and British Telecommunications.

King’s College, London University, offers an MA in Text and Performance Study in conjunction with the Academy.

1993

Nicholas Barter becomes Principal.

The ‘Friends of RADA’ is inaugurated and the Academy establishes its first courses for Japanese professional actors in Tokyo.

1996

RADA receives a £22.7m grant from the Arts Council National Lottery Board towards redeveloping the Academy’s headquarters, including a complete re-build of the Vanbrugh Theatre and Malet Street premises. Council establishes a committee to raise the necessary ‘matching’ partnership funding of £8m over four years. Discretionary local authority grants are phased out within the next two years.

1997

The rebuilding of the Gower/Malet Street premises commences.

1995/8

The Academy extends its portfolio of Short Courses for British actors and special courses for American and Japanese students in London.

1998

The Vanbrugh Theatre Club is dissolved.

2000

Her Majesty Queen Elizabeth II re-opens the Academy's new and refurbished Gower Street/Malet Street building.

2001

The second stage of the Centenary Project that of creating new spaces for the Academy's work at no's 20 & 22 Chenies St, gets underway.

2001

RADA becomes (with the London Contemporary Dance School) one of the two Founding Affiliates of Britain's first higher education Conservatoire for Dance and Drama. RADA courses are validated by King's College, London

2002

University of London awards the 1st BA in Acting. RADA appoints a Dean of Studies. RADA library introduces a computerized circulation and security system. RADA Youth Group is launch in autumn 2002.

2003

Lord Attenborough becomes President of RADA and John Whitney appointed as Chairman. Bristol Old Vic Theatre School and the Northern School of Contemporary Dance join the Conservatoire.

2004

RADA celebrates its Centenary. LAMDA, The Circus Space and Central School of Ballet join the Conservatoire for Dance & Drama.

2005

Rambert School of Ballet and Contemporary Dance (joined 2005) joins the Conservatoire.

2006

The Academy aims to complete the refurbishment of the 20/22 Chenies Street premises by the end of the academic year.

2006

The Academy replaces the Friends of RADA with a new scheme for supporters, the RADA Stars.

2007

The Academy introduces its one-year drama Foundation Course, accepting 32 pupils per year.

2007

Nicholas Barter retires as Principal. The role of principal is removed and the new roles of 'Managing Director' filled by Jeremy Newton and 'Artistic Director' filled by Edward Kemp are created instead.

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